This is more or less all my published writing. Where possible, I’ve included PDFs in an archive at the bottom of the page. Otherwise, follow the link or email me.

book

• James E K Parker, Acoustic Jurisprudence: Listening to the Trial of Simon Bikindi (Oxford University Press, 2015)

edited book

• James Parker and Joel Stern (eds), Eavesdropping: A Reader (City Gallery, 2019)

edited collections

• James Parker (ed), ‘Sitting by the Fence near the Jungle: Reflections on the Manus Recording Project Collective’, Disclaimer (2020)
• James Parker, Sara Ramshaw and Mehera San Roque (eds), ‘The Acoustics of Justice: Law, Listening, Sound’ (2020) 24 Law Text Culture

journal articles

• James E K Parker with Sean Dockray, ‘’All possible sounds’: speech, music and the emergence of machine listening’ in (2023) Sound Studies
• ****James E K Parker, ‘“Forensic Listening” in Lawrence Abu Hamdan’s Saydnaya (the missing 19dB)’ (2020) 2 Index
• James E K Parker and Joel Stern, ‘how are you today by the Manus Recording Project Collective’ (2020) 24 Law Text Culture
• James E K Parker, ‘A Lexicon of Law and Listening’ in Jindal Law and Humanities Review 1 (2020)
• James E K Parker, ‘Sonic Lawfare: The Jurisprudence of Weaponised Sound’ (2019) 5 Sound Studies, 1-25
• James E K Parker, ‘Towards an Acoustic Jurisprudence: Law and the Long Range Acoustic Device’ (2018) 14(2) Law, Culture and the Humanities, 202-218
• Madelaine Chiam, Sundhya Pahuja and James E K Parker, ‘How To Run a Writing Workshop? On the Cultivation of Scholarly Ethics in ‘Global’ Legal Education’ (2018) Australian Feminist Law Journal
• James E K Parker, ‘The Soundscape of Justice’ (2011) 20(4) Griffith Law Review, 962-993
• James E K Parker, ‘Simon Reynolds, Retromania, and the Atemporality of Contemporary “Pop”’ (2012) 2 Discipline 156-164
• James E K Parker, ‘Spirited Away: Asylum Law and the Institutional Violence of Legal Discourse’, (2007) 11 Law Text Culture, 231-251